# 002 Ra + experience and art production


Background

Movie works with the theme of war experience and oblivion
At the beginning of "Hiroshima Monamour" (Hirosima monamour, 1959)
A French woman staying in Hiroshima for movie shooting
"I saw Hiroshima," while,
A Japanese man living in Hiroshima repeats "you are not seeing Hiroshima" many times.
In the second half of the story, the woman talks about the past where the lover was killed by war,
Women as well as men take a negative attitude.

What does it mean to experience?
Can you talk about something you have not experienced? Should I be silent?
What does it mean to talk experience?
Can we know what we have not experienced?
Is there anyone who can not talk about experience?
Can other people understand?
Even if you can not understand, how can you face it?

This project is designed for disaster, war, incident, accident, joy, pleasure
Think about various "experiences" and try to explore the possibilities of art production.


CONTENTS

Kazuki Iijima (Linguist Neuroscience) "Science on experiences making experience"
Mariko Iijima (artistic representation) "About telling experience"
Ishibuchi (photographer) "Hiroshima"
Vivian Sato (artist, non-architect) "Madeleine, T Back, Ghost"
Tomoko Oshima (Artist) "Unchanged"
Keiko Ota (Alternative Space "CAVE" Staff) "About" null "that stays there when we talk about politics"
Aomi Okabe (art critic) "Fighting dancing Forsythe and Nizzinski"
Kenji Kajiya (Representation culture theory · art history) "To substitute experience Meguro Museum of Art" Canceling the 1945-1970 Looking At the A-Bomb "Exhibition
Kanematsu Sugunaga (Anthropology of Art / Sociology) "I will be crowded with you"
Shinichi Kawakatsu (RAD Director) "About the experience with the convention of" scale ""
Katsumori Natsuko (Artist) "Play alone series # 02 delusion"
Tetsuya Saito (artistic representation) "Converting to love goodness"
Nobuyuki Sato (Political Science) "Socialization of Experience and Its Fallen"
Miho Shimizu / Danger Museum (Artist) "Faced with uncertainty"
Toshifumi Tanno (literary critic) "To respond"
Atsushi Sugita (art criticism) "Politics of experience"
Tanaka Isaaki (Artist) "Notes on Language Disparity"
Yuki Teruya (Artist) "Museum that starts at emergency"
Keiko Morishita (artistic representation) "To experience things not experienced"
Hayashi Hayashi (gender history, thought history) "To position" care "as an anti-war idea evoking" <memorized memory ""
Tomoko Fukushi (Artist) "S / N"
Yasuto Masumoto (Artist) "Experiments to think about war experiences"
Naho Nomoto (Party Researcher) "Parties to experience daily burden"
Hiroaki Morita (Artist) "Mar. 11, 2011"
Yasumasa Morimura (artist) "Requiem to something (parade of memory / America in 1945)"
Aiki Yahata (Artist) "To live is to" edit "
Yoshida Ami (avant-garde) "You, me and us"
The Academy of Alter-Globalization (art trio) "Cut paper kit making every situation"
Chi Too (Artist) "Are We Forgetting Somethings?"
Kyongfa Che & Jeuno JE Kim (curator, artist) "Interview with the Director of the Greece Grophers Foundation"
Roger McDonald (Curator) "Horizon of Experience"

ISBN: 978-4-908323-01-0
Issued date: May 7, 2012
Form: D4 tabloids (406 × 272 mm), 32 pages in all
Main unit price: 500 yen
Issued number of copies: 1000 copies

Planning / editing: Ra + production committee (Mariko Iijima, Fumio Inoue, Natsuko Kurashige, Tetsuya Saito, Atsushi Sugita, Choi Kyung Hwa, Keiko Numana, Susumu Harada, Hiroko Honda)